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Film Analysis: Band Frontman Jason Williamson Assumes Character in Critical Look at Ecstasy Generation Era

Produced by Portishead co-founder Geoff Barrow, this scabrous though slight first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Duel

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David desperate to escape; the Woodsman denying his container of scrumpy, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Vibe

Just a single important plot development, but it results in a hilariously staged chaotic run on the forest trails that veers toward rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

The film releases in UK and Irish theaters from 17 November.

Written by

Carolyn Collins

Maya Chen is a tech journalist and AI researcher with a passion for demystifying complex technologies and exploring their societal impacts.

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